Marvel gets it and DC doesn't.

Today I discovered that Marvel seems to completely understand something that DC doesn't seem to grasp at all.

It has to do with marketing their products.

On the desk in front of me is the "Marvel Reading Chronology 2009", a free publication send in quantity to retailers which presents "Marvel's stock of in-print collected editions inventory organized in a fun new way!"

This publication is, perhaps, the single greatest marketing tool I've ever received from a publisher. One of the things I do for Big Monkey is produce guides, both to specific publications and to topics. For example:


While I have done guides for eras, topics, and creators, I hadn't done any yet for particular characters. I was dreading the quantity of research needed to identify all the appropriate TPs, GNs, and HBs for all of Marvel's characters. I'm not exactly an expert on the history of the Hulk, ya know... .

Marvel, wisely realizing that customers are interested in boning up on particular characters and that it's a easy avenue of approach for retailers, has compiled these lists quite thoroughly in this new publications, which is colorfully but elegantly arranged, and includes pictures of the all the covers, what each volume contains, and who its creators were.

It's so obvious.

To Marvel. But, not to DC.

I spoke with my DC rep today to convince them to do something similar. I got some palaver about checklists of the titles involved in crossovers being listed on the DC website. That's nice, I said, but you don't seem to understand. I couldn't even get an understanding that retailers need a visual aid to sell Showcase and Archive Volumes (which are simply impractical to stock in full-- there are way too many, and, while they are wonderful and unique offerings, they do not exactly fly off the shelves). Yes, DC thanked me for having given them that idea in a previous conversation, and they were planning on making a checklist of those, too.

Yes, that's nice, I said. But you don't seem to understand.

I want a publication, something that... that combines words with pictures of what the words are taking about. I need a piece of writing with attendant images, a sort of... graphic literature. Can't DC produce some form of graphic literature that I can use to promote my sales of your products...? Surely, DC, you have some grasp of the power of combining pictures and words into a unified whole for the presentation of an idea or story?

I've stated before that Marvel's approach to comic books is more rooted in the visual than DC's approach, and that DC's is more rooted in the verbal than Marvel's. Ordinarily, I'm fine with that. Ordinarily, I like that.

But, oh, the comic book irony...! Unfortunately, it seems to mean that Marvel understands the need to create for retailers easy visual references to their products.... and DC does not understand it.

Things That Made Me Happy...

in my comics this week.

• That in Metropolis guards discuss existentialism.
• Leland McCauley? Really? That's... very strange. But just a coincidence, I'm sure.
• Batman teams up with the Haunted Tank.
• Hal Jordan, disarmed.
• That Vixen, Firestorm, and Green Lantern were the ones to confront Hardware.
• "Seems like twenty years ago but it really wasn't." Heh.
• I have a feeling we should recognize some of those people at the party, looking at us. Do you?
• The truth about Tom.
• Sinestro, on love.
• The Shield, and Static, on the big screens.
• Thank you for remembering what Vicki Vale originally was: a photojournalist who suspected Batman's secret identity. And a scantily-clad sexpot.
• Kung pow!
• The Queen of Fables' favorite drink.
• "Luciphage". Nice.
• I trust you, Todd!
• The Shield still lives in D.C.
• Why Mon-El's powers keep winking out, which is perfectly consistent with why Superman was never able to cure lead poisoning.
• Leslie's bodyguard.
• Now, there's the missing member of the original Justice Society!
• Batman, on book burning.
• Yes, Courtney; Albert is dense. How could you not have noticed?

Vibe springs eternal!

VOTE FOR VIBE!!!!

ANTI-POPULIST RANT!

Okay THIS

is really the final straw. In case you can't access that link, I'm referring to this:

In this third issue, Bo aids Lockjaw, Lockheed, Redwing, Hairball, the new Frog Thor, and more super-hero companions in their quest for the Infinity Gems, which will lead the team to the bottom of the ocean and bring them face-to-furry-face with Giganto.

Retailers have witnessed firsthand the kind of attention a comic can receive when associated with the word “Obama.” The mainstream press had a spotlight on Bo even before he stepped paw in the White House, and adults and children alike remain infatuated with the First Dog, so make sure you order ample copies of the third issue.

Joe Quesada, I call thee harlot. Marvel, I damn thee as a whore.

Look, I own a comic book store, so I'm certainly empathetic with the desire to sell comics. But, really, Marvel. The president's dog?! That's just not right.

You want to know why people don't respect superhero comics? It's not just because they are fantastical in nature. It's because of things like Tim Gunn wearing the Iron Man Suit ("This glowing area, Tony; this worries me. Is this really practical? Attention-grabbing, yes, but have you thought about how well it will wear?").

Now, I know DC can occasionally indulge in such pop culture dalliances (ahem, Superman versus Muhammed Ali, anyone?), but Marvel is a much more serious and frequent offender. DC's a classy lady who sometimes has too many martinis and abandons her virtue for an evening to a smooth-talking beau. Marvel's a crack-whore wandering the street night and day looking for the next loudly-dressed passing fad to feature; "Hey, wanna me to put you inside my pages? All it costs is your dignity!"

Ever hear how Marvel got stuck with Dazzler, the Roller Disco Diva? Remember Razorback, with his mutant power of super-truckdriving from the CB radio era? And those are just a few fads. The list of shameless uses of real-world personalities to bolster sales or make Marvel stories "more realistic" is nearly endless. The awful, terrible, and vaguely racist back-up story in Spider-Man 583 where President Obama is used in a story ripped off from an old Booster Gold comic book is just one of the most notable examples.

Am I being snooty in my pretentions for superhero comics? Is it self-deceiving to think that my favorite part of pop culture should hold itself aloof from other parts of pop culture?

Perhaps.

But there is an objective problem with Marvel doing this sort of thing. Unlike most of the pop culture references it's making, the Marvel universe (or any other comic book world) is ideally an on-going enterprise. Its characters outlive (one hopes) the fads and personages who are intruded into its world from ours. But every time a "Tim Gunn" meets an Iron Man, a story and everything in its pinned to a point in time like a butterfly stabbed with a pin. In DC's fast and loose "continuity of the week" environment this is less painful; as long as the story is never referred to again, it doesn't really exist. But Marvel and its fans are famously slavish to their continuity. The combination of dated cultural references and guest-stars with an iron-clad continuity fetish is irreconcible and deadly... .

Marvel began as Timely, and tries to be timely still. But when you live by the sword you die by the sword. And if Marvel's characters seem less iconic and timeless than DC's, it's partly because Marvel is more interested in getting icons to appear with their characters than getting their characters to appear as icons.

A Banner Day!

The oomphy new banners I ordered for inside at Big Monkey have arrived; huzzah!

Haikuesday Rebirth

I love the fact that at DC, everything old is new again. As it is in heaven, so shall it be on earth-prime, so today is the return of an old favorite here at the Absorbascon: Haikuesday.

As we've long since learned, heroes like to show their mettle not just by saving the innocent, protecting society, and stopping evildoers. They like to do those things while spouting haiku.

Why? Because they can.

Or, at least, some of them can. Interstellar dullard Hal Jordan probably couldn't command his ring to compose a haiku for him, and can only understand 575 as the sector where that brick-shaped Green Lantern is stationed or some kind of new plane he's yet to wreck.

By contrast, Barry Allen is an ingenious scientist, the kind who invents revolutionary expandable micro-fiber costumes, casually and off-panel. I mean, even the Spectre had to sew himself a costume.

No wonder these two police officers made such a natural comedic duo in the Silver Age, Barry the brainy, low-key stone-faced straight-man and Hal the brain-dead, accident-prone, eye-rolling slapstick comedian. Barry and Hal are the Tango and Cash of the DCU.

So, while Barry is analyzing the evidence at a murder scene that could threaten all the speedsters of the DCU, Hal is all "hey, let's go to a party tonight and I'll ring up lampshades for everybody!"

Barry puts Hal in his place with a firm haiku, as if to say, "Wally, like you, you moron, is merely a tool in my personal fight against crime. For I am the crimson-hued avenger, I am the lightning bolt that illuminates the dark night of crime, I am the Batman of the Mid-West. Particularly now that I'm driven by my heretofore unmentioned father's false imprisonment for murdering my mother." Not that Hal would notice, of course...

This is Wally's perp.
He'll know how to deal with this
better than I would.

What haiku can you, my brainy, low-key, stone-faced readers, compose to honor Barry's return or condemn Hal's density?

Pep 20: Great fiery swastikas!

Pep Comics heroes do not mess around, boy.

If you are an evildoer they will not waste time in fisticuffs or badinage. They will not trouble to take you to the police. They will not have harsh words with your parole officer or your parents.

They will simply chain you in a pit, and set a crushing, oily iron swastika on top of you. Then they'll set it on fire.

And just stand there and watch.

Do not mess with Pep Comics heroes.

Give the gift of meet!

There's a new Facebook group for gays interested in comic books and such; check it out!

Go-To Guys

All heroes/villains are not interchangeable. Oh, back in the day, perhaps, there was an almost disturbing similarity between characters; every hero was pretty much the same as every other, just with different abilities. Villains sometime had a theme that helped distinguish them from one another, but that seldom amounted even to a difference in style let alone substance.

Nowadays, we've put some more tools in our literary toolbox to make the writers' job easier. Not only are there varied heroes, villains, and secondary characters, but many are specialized tools for special jobs. They are the "go-to guys" of comics, and deserved to be recognized as such.

For example: you want to write a story where crazy, impossible things happen, particularly ones that are cool to draw like protagonistic dismorphia. And you may to set a bizarre situation or problem to solve, not just a simple bank robbery. But in the end you still need a villain who can be taken out with a punch in the jaw. Who do you go to....?

Abra Kadabra.

He's as goofy or as terrifying as you need him to be!


Let's see, with Abra Kadabra I can...
turn Superman into a puppet

turn Jay into a turtle

and force heroes to race to their deaths.


And why...? That's the best part. Abra Kadabra's motivation is the same as the writer's:

he just wants you to be entertained.

Ladies and gentlemen, a big round of applause for our first Go-To Guy: Abra Kadabra.

Pep 19: Ten Signs

10 cover signs you are losing control of your comic book.

Some guy dressed like Batman gets a more dramatic entrance.

Instead of fighting bizarrely garbed freaks you're fighting slow-moving extras from the Sound of Music.

Your sidekick looks bored silly and disgusted with it all.

You're not Aquaman, but you're still guarding submarines.

Your opponents don't outnumber you.

The artist feels the need to draw motion lines.

You keep forgetting to point your toes.

The text warns criminals about the guy dressed like Batman, instead of you.

Your main activity is falling.

Show time!

We've been very busy with shows. Back soon very soon, in force!
Meanwhile, enjoy some more pics.

Citiizen Superhero!

Citizens! A school teacher needs your help!

My friend Travis Greenlee is a civics teacher who's using superheroes as a way to teach civic responsibility to the young. How very laudable!

His "Citizen Superhero" project is in its infancy and could use some babysitting.

1. If you are a teacher or know a teacher who might be interested in Travis's project, please contact Travis.

2. Check out Travis's blog, Citizen Supehero, and add it to your feeds.

3. Travis needs as many superhero quotes as you can give him, quotes wherein heroes talk about responsibility, and society, and why they do what they do. Travis is not as well-versed in comics as you are; please harness your expertise to his efforts.

Pep 18: Who IS that poor guy?

Wow; is this the perfect Pep cover or what?

The centerpiece is, of course, the Shield entering from Stage Right, as usual, and on and oddly slack rope. He's mated again (third time now!) with that poor green schmuck with the pointy ears and purple dress.

Who is that poor guy? A heavily tanned Vulcan stranded on earth due to his illogical fashion choices? A deformed Coluan B&D master? The love-child of Killer Croc and Black Adam, wearing Catwoman's hand-me-downs? And what did he do to deserve drubbing by the Shield, on three covers, no less? Don't just sit there, Geoff Johns; give him a tragic backstory!

Regardless, the Shield's got him trapped in the steel thighs of justice and you know what that means: a steaming dose of the Shield's patented Minction Method of punishing the wicked, symbolized by the usual pale yellow stream from above. Open wide, evil-doer, and drown in the waste-product of decent society! Oh, but for the full scene, kiddies, you have to buy the comic!

One wonders, however, whether elf-ears will really mind. Given the scene he's currently engaged in with Little Miss Push-Up swinging in the background with her Ankleweights of Naughtiness, he may actually be into that sort of thing! Rumor has it, William Moulton Marston had a subscription to Pep.

And poor Dusty! With the advent of the Hangman, he's lost his post on "Crashing In" duty, and has been relegated to grappling with the towelboy. "And stay down!" "I was already down, sir!" "SHUT UP!"

Last, our new addition, the Hangman. When you're a crazed, bloodthirsty vigilante, dressed almost exactly like the villain, you can sometimes forget that you don't actually have any superpowers and wind up crashing through ceilings made of stone...

A Different Kind of Free Comic Book Day

Sure, it was a bad hair day yesterday, but I still managed to drop off $700 worth of comics each to Children's Hospital and the local USO. Most of the comics aren't pictured; they aren't that expensive yet!

This donation was made possible by the kind folks who participated in the Big Monkey Benefit Party, either by buying things at the party or making a contribution from afar.

At both facilities our contacts were delighted by the contribution, assuring us that such donations are of great value to the kids and soldiers. In fact, at the Children's Hospital we were shown that some of the waiting rooms are decorated with large images of comic book heroes, and that they are used to inspired the children to be brave while visiting.

Both CH and the USO are happy to serve as hubs for distributing our contributions to the various hospitals and clinics they operate in the metro-area. They are eager for as much as we can give them, so Big Monkey is hoping to have another benefit party soon, which we hope you can attend.

P.S. I got my haircut last night.

Things That Made Me Happy

... in my comic books this week.

• Always good to see Wonder Woman versus a nuclear missile.
• A visit from Cabal. Okay, that's actually something that happened in my comic book store, but that's close enough.
• 57 cents.
• Ah, so THAT's why Thom got a job as a gravedigger. Wasn't expecting that. But, as always, Brainy forced it to make sense.
• Superman was fascinating this week, without a Superman at all. Robinson, doing what he does best, has made Metropolis and its characters come alive.
• Whoa. Magical Siamese elephants.
• The Riddler starts Gotham Sirens, I see... .
• The nameless tombstone.
• "Another room full of ice. I'm starting to sense a pattern." I always loved that little guy!
• A dog in a dentist's office is one thing; but an owl...?
• Orange versus Blue and Green. With Violet and Red and Yellow lurking in the wings. Oh, this is going to be one sweet and pretty war... .
• "I followed it step-by-step with little success." Not only one of my favorite character's but one of comics' greatest comedians.
• Eating the candles.
• The power of Lex Luthor's hair.
• T.O. Morrow might destroy you, but he doesn't want to see you cry.
• Al makes Grant sing.
• "Leviathan, is that you?" Yeah, I cried.
• Okay, that return/reveal was definitely worth a two-page spread.
• "Everyone like ice cream."
• Tellus.
• While Two-Face was poorly characterized in Gotham Underground, everyone else was just great, and I enjoy their interaction.
  
• That's... not what I expected from the Time Trapper.
• Ares' gift looks... unpleasant.
• Zatara vs. Jimmy Olsen; advantage, Olsen.
• Hal's attitude toward "stealth" as a "superpower".
• And, of course, it's good to see Central City still looking as ridiculous as ever, just as it should...

Star Trek

I seldom discuss anything not directly related to comics on this blog, but I can't help myself:

I really liked the new Star Trek movie!

Now, I'm not going to say, "IT ROCKED: IT WAS GREAT!" Because then this will devolve into a definition of "good", and some Trek-geek will tell me that it was crap because the directors clearly forgot that Scotty was left-handed or some such nonsense. The film did rock and it was great, but I'm not going to go there. Suffice it to say, I loved it.

The Star Trek mythos is one that, like those of the great comic book heroes (see? you knew I'd find a comic book connection...), is one that developed over several decades. But for all the expansiveness of its storytelling, it remained rooted in one spot for one reason: the original characters were completely linked to the actors who originated the roles. As long as that was the case, Star Trek, while an astonishing franchise, hadn't really become myth. "Jim Kirk" was William Shatner. Now that character (and each of the others) stands apart as an indepedent entity it a way it never has.

And how thick IS Chris Pine's neck? Yeesh, that's hot! Forget, Dorothy; let me surrender.

Kudos to the casting director and the actors; they do excellent work in embodying the characters rather than imitating or parodying them. I would have preferred a much more, hm, "womanly" version of Uhura, but balancing that out, Chekov is simply adorable. I defy you not to love him.

I thought the movie expertly balanced the need to have familiar touchstones for the traditionalist fans as well as appropriate updates for a new audience. In fact, I can imagine that someone who had zero knowledge of any of the Star Trek series would still enjoy this rollicking space opera.

Anyway, I shan't indulge in any spoilers, for there are more than a few surprises the Star Trek film. It certainly has refreshed the franchise for me. Not only will I see this film again, I can't wait to see where the next one leads.

Pep 17: Hanging Out

From Pep Comics solicits...

"Not a hoax! Not an imaginary story! In this issue, while visiting an excessively castellated Ren Fair, the Shield becomes frickin' enormous-- through sheer force of will! Will his increased size be enough to save Dusty from that evil dry-cleaner, 'the Starcher', who's attacked his cape?

"Plus, we introduce the Hangman, the Caped Crusader of Capital Punishment! Coming soon for kids on the Cartoon Network: Hangman, The Grave & The Cold!"

The Dawning of a New Age!

I am quite fed up with people, references, articles, etc. continuing to refer to this as the "Modern Era' of comics.

First off, talking about the "Modern Era" of anything is just sheer intellectual laziness and hybris. "The era in which I live in cannot be easily classified or typified, as can the shallow, simple eras of the past. My era is simply 'modern' and all others are ... not."

To which I say, poppycock. I'm sure many people in those previous eras thought they were living in "the Modern Era", too. Current social, cultural, and artistic eras will, in fact, be tagged and bagged by future generations. Pretending that they won't or turning a blind eye to "the Modern Era's" earmarks is disingenuous at best.

Yes, some distance is helpful in identifying and characterizing an era, but it's not an absolute necessity ... we all knew quite well what the Big '80s were like when we were living in them, for example. I think we're pretty clearly not in the same era as that which began with Crisis on Infinite Earths, Watchmen, and the Dark Knight Returns, and it's about time we acknowledge that new era and begin to get a handle on it.

We have emerged from the Iron Age, characterized by the rise of the anti-hero, the tarnishing of the heroic ideal, the abandoned of Silver/Bronze continuity, and the emphasis on mythos-breaking. The current era, which I call the Platinum Age, is instead characterized by a re-statement of the heroic ideal, the reincorporation of elements from Silver/Bronze continuity, and the emphasis on mythos-building.

There are other changes, of course, but with my focus on DCU continuity these are most immediately salient.

To me, that we are in a new "age" isn't really in question. The question is: when did it begin?

Comic ages seldom have one clear starting point; having different publishers alone ensures that. But there are usually several clear signposts...

2000. Marvel's launch of the Ultimates line indicates awareness that there mainline continuity has become a burden to storytellers and a barrier to new readers. The transition from the Bronze to the Iron was marked by DC chafing against its accumulated continuity and taking steps to address it. The transition from the Iron Age to the Platinum Age by a similar phenomenon at Marvel. Both the Ultimates are Brand New Day are examples.

2004 Identity Crisis. Essentially, the last gasp of the Iron Age and its tarnishing of the Bronze ideal. DC likes to play it as the beginning of its new era. But in fact it was merely the final straw for many readers, causing a loud "enough is enough" from fandom on the grim-ification of mainstream superhero comics.

2002/Spider-Man and 2008/Dark Knight. The superhero film become a serious and profitable genre, part of general re-surfacing of the superhero as a cultural ideal/icon.

2005. Infinite Crisis restablishes the multiverse and M-Day cleans house at Marvel.

What do you think marks the end of the Iron Age, the beginning of the Platinum Age, and the diffferences between them?

THANKS!

I'd like to thank all of you who made purchases or donated for the Big Monkey Benefit Party last night; we raised $1300 to give comics to the patients at Children's Hospital and the DC Veteran's Hospital. And we had a great party in the process!

With your help, we're able to bring some cheer to a great many ailing kids and soldiers.


Many guests asked when our next such party would be... based on the response to this one, it may be soon! If you didn't make this one we hope to see you at the next one.

DONATE!

Our benefit party to send comics to kids and soldiers in hospitals is TONIGHT at Big Monkey in Washington DC!

If you can't join us, please considering contributing by sending a PayPal donation to scipio@bigmonkeycomics.com, with a note saying it's for the benefit.

The Size of Central City

The squaring of the circle?
Perpetual motion?
Retooling the Republican Party?

I scoff at these minor puzzles.

For I have achieved a working estimate of...

THE SIZE OF CENTRAL CITY.

One picture. One picture out of the zillions of pictures of the ridiculous geography of Central City has made this estimate possible. Here it is:

Note that Central City has no apparent rivers or roads transiting it. There is no escape from Central City, unless you can achieve escape velocity, like Flash.

Flash states that he's traveling at just outside a hundred mile radius from the center of the city (in fact, the point where Gorilla Grodd is standing-- but that's not important right now). Now, the perspective makes things a little tricky (in Central City, perspective is always a problem). But with a little measuring, I estimate that Central City is roughly a square whose diameter is 37.5 miles.

That would make Central City about 1406.7 square miles.

Let's put that in perspective.

When you exclude consolidated city-counties (which are just plain cheating, and a different animal entirely), the U.S. city with the largest land area is Oklahoma City (no big shock there), with 607 square miles.

Central City is 2.3 times larger than Oklahoma City.

Kids; see if you can spot Central City!

Yes, that's the approximate size of Central City compared to the state of Kansas. Central City is the only city with a multi-story phone book.

So, how many people live in Central City? It's a toughie, but we'll guestimate it anyway. As mentioned, Central City is about 62 times larger than Manhattan. Let's start with that. Now, on the one hand, Central City seems to be full of nothing but ridiculously broad avenues, sidewalks and plazas (all the better to fight Rogues in). That would make it seem much less dense than Manhattan. BUT...

there don't seem to be ANY buildings in Central City under 20 stories, and most seem to be MUCH higher. Of course, on the other hand, every room in Central City is about four times larger than any room in a normal city. So, I'm going to call it a wash: let's assume Central City is as densely populated -- at least -- as Manhattan.

Manhattan's population is about 1.62 million. And Central City is 62 times larger than Manhattan. Ergo,

the estimated population of Central City is at least 100 million.

Central City has the equivalent of three Californias worth of citizens, or four Texases, or five New Yorks. No wonder Flash has trouble finding the Rogues!

Comparing Central City's population to country populations, Central City is just smaller than Mexico and just larger than the Phillipines. It's a good chunk heftier than Germany and Vietnam. And it's got France beat without breaking a sweat (not that that's particularly difficult).

Pep 16: Sunlamp

Another green-skinned, pointy-eared baddie, with bat-faced monster-minions menacing a helpless broad while Dusty bursts in the window and the Shield saunters in from Stage Right with fist a-ready?

Still. Two things keep this Pep cover from being just another one:

Vampire syringe? Nice. Cheating... but still cool.

The sunlamp.

Really? A sunlamp?

As vampires, you guys SUCK.

Strange Feelings, with Barry Allen

If you're new to Barry Allen, you may not know that he was famous for finding himself in strange situations... strange even for a DC superhero in the Silver Age.

But even in the strangest of situations, Barry seldom lost his composure, and faced his role as a lightning rod for Silver Age lunacy with remarkable acceptance and equanimity. A perfect example is one of his most famous quotes:

"I've got the strangest feeling I'm being turned into a puppet."
Yes, Barry; that is certainly one of the strangest feelings. But there are others...


"I've got the strangest feeling...I'm being characterized as an enormous geek."

He works in a lab. He talks to himself. About comics books. While drinking milk. With a straw. All this you know before you even see him. What more could they do, put him in a bow-tie?


"I've got the strangest feeling...
I'm under attack from surrealism in comics."

The second you let down your guard, BANG! You're the center of a paranoid delusion about inanimate objects, specifically, the traveling staircases from many a surrealist joke book ("A traveling staircase goes into a bar, and when the watch melted, the chicken died.")


"I've got the strangest feeling...Zahi Hawass is going to kick my ass."

I sure hope Barry has Josh Bernstein's number; now, that's a Brave & the Bold issue I want to see!


"I've got the strangest feeling...
I'm in a Katsushika Hokusai painting."

Now, that is one classy swipe.


"I've got the strangest feeling...
I should be wearing a red handkerchief in my back pocket."

Who knew that Barry had given the FFA (um... that's...Flash Fans of America, for you kiddies) its slogan, "If you can't fit a keyhole, make it fit you"?

Things That Made Me Happy...

in my comics this week.

• Wait... David Seville is Armenia's UN ambassador? That actually makes sense.
• Well, there's the line where Kryptonian tough love turns to just plain bad parenting.
• Acorns? How very... thematic.
  
• Arkillo's necklace.
• Aquaman brings his trident to UN meetings? Probably in case the Australia rep gets out of line.
• *Giggle*! You can't "decimate each and every"; do DC writers no longer own dictionaries?
• Ah, the elegant simplicity of the Gamma Gong.
• Ah... Sinestro's daughter! Interesting.
  
• Hey, is Oracle's friend the guy who posed for the Big Belly Burger logo?
• Flash, the World's Fastest Statue.
• Fear keeps the Daxamites in check ... just as it always has.
• Step by step we get closer to her walking again.
• Kangaroos that say "HOLA!"
• Giant ants. Always a winner.
• Blue Man Group. Heh.
• An autographed picture of Starro...?!
• 7734. Clever.
• That's a big snake. A really BIG snake.
• Nice to see Kanjar Ro get some sweet, sweet octopus love.
  
• Attempt raped of paraplegics. Always a winner.

Benefit Party for Kids and Soldiers in Hospital

Next Wednesday, April 22, Big Monkey is having a benefit party to raise money for donating comic books to the ailing children and soldiers in two local D.C. hospitals.


For every dollar raised (either through purchases or direct donations), Big Monkey will match with an equivalent amount of merchandise sent to Children's Hospital and Walter Reed Army Hospital. Help give hundreds of comics and toys -- and hours of needed enjoyment -- to those in need.

Meet new characters, both real and fictional! And the Big Monkey staff will be on hand to find you comics and graphic novels you'll love. Catering by Harryfeatures, music by Big Monkey Radio. The party is from 7PM to 10PM at Big Monkey (1722 14th St. NW Washington DC; that's on 14th between R & S, near the U St. metro station).

IF YOU CAN'T ATTEND BUT STILL WANT TO CONTRIBUTE TO THE CAUSE, you can PayPal a donation to scipio@bigmonkeycomics.com with a message saying that it's for the benefit... we'll add it to the tally!


The Evite to the Party.
The Facebook Page for the Party.