I bet you've never read Wild Dog. Well, I waited long enough now that I can convince myself that I actually READ Wild Dog when it came out in 1987. Mental self-retcons are quite useful! Given enough time, I could convince myself I WROTE it, and simply forgot.
But of course I didn't read it at the time. At the time, Wild Dog was billed as 'grim and gritty' realism, before that phrase had even been coined. In a world of superpowered do-gooders, Wild Dog was a Reg'lar Joe (who'd inherited a fortune, of course) who simply armed himself with all the last personal combat tech to make himself a one-man SWAT Team.
|I like Wild Dog, but "rivaling Superman's" is ... quite a stretch.|
This was the immediate post-Crisis world for the DCU. On the one hand, they had just cleared the decks of (what they considered) 50 years of continuity baggage, liberating them to reorganize a bright and shiny new DCU.
|Jacob Marley asks: "Is a CROSSOVER really the right beginning to discarding old continuity and starting over fresh?"|
On the other, 1987 was NOT in the mood for 'bright and shiny', given that Watchmen and The Dark Knight Returns were tearing up the sales charts at the time and . Those were difficult competing impulses to balance and I think Wild Dog was, knowingly or not, an attempt at doing so.
1. Wild Dog was a mini-series.
Yeah, I can't even pretend I knew that. I had assumed it was just one of those many series they slap up on the wall until it slides off. But it was just a four(!)-issue mini-series. After that, Wild Dog appeared as one of the back-up series in Action Comics (which during that period was an anthological title), in which he got three story arcs. Then there was a one-shot special and.... that was it. No more Wild Dog, except as one of those odd objects in the attic that DC will let writers trot as decor or a prop in some broader story.
leave Odd-Man alone.
2. Wild Dog was a mystery.
At first glance, this is EXTREMELY ODD. One doesn't expect a series about a shoot-'em-up vigilante character still remembered 35 years later as uncompromisingly violence-happy to be a mystery. That's a different genre. But DC's roots are in pulp stories, after all, where detectives and masked death-dealing vigilantes not only rubbed padded shoulders but were often one and the same.
|Hard to do nowadays but in those days, it was...|
It also helps to know that Wild Dog author Max Allan Collins was primarily a well-known and prolific mystery novelist, like Kaye Daye.
|And if you don't know who THAT is, I just feel sorry for you.|
So it should never come as a surprise that something MAC is writing should turn out to be a mystery. What is surprising is that Wild Dog didn't solve the mystery; Wild Dog was the mystery. No one, including the reader, knows who Wild Dog actually IS until the fourth-and-final issue.
|Hence this "reveal" cover.|
There are four college friends who are the 'suspects':
|A reporter, an auto-shop owner, a spy, and a police detective.|
3. Wild Dog was freakin' hilarious.
On the one hand, I intend that the highest compliment, because I'm not usually amused by most comic books' attempts at humor.
|It's not easy to make your willingness to riddle unarmed people with bullets funny, as anyone who's ever vacationed with me would attest.|
4. Wild Dog was ... severe.Max Allan Collins is a huge fan of hard-boiled gumshoe lit and was a long-time writer of the Dick Tracy comic strip. I read his run devotedly; I still remember his Haf-and-Haf and Angeltop storylines very fondly.
|That system IS Dick Tracy.|
|Here he is throwing gasoline on a man in a burning building.|
Wild Dog may have been funny, but he wasn't nice or gentle. This is not "your friendly neighborhood Wild Dog."
|That would be THIS guy.|
Wild Code didn't have a Code Against Killing; he had an Imperative Toward It. Wild Dog had zero compunctions about killing The Bad Guys as a last resort.
|Okay; a FIRST resort, actually.|
Wild Dog does not shoot to wound. Wild Dog does not aim for your legs. Wild Dog does not practice ammo retention. Wild Dog DOES make a joke about killing you that you never get a chance to hear, however.
5. Wild Dog looks bad. No offense intended to Terry Beatty, who I'm sure is a perfectly nice person. But his art (at least herein) falls squarely in the uncanny valley.
|Or a '50s ad for suits.|
It's certainly not realistic or detailed enough to be technically good (like a modern comic) nor abstract or auteurish enough to be stylistically good (like a Golden Age comic).
|Except for that. That's some Golden Age goodness right there.|
For some reason I don't know there was a LOT of that phenomenon in that era, even as late as the beginning of the Sandman series in 1993 (which looks way worse than you remember). Beatty's art looks like a newspaper comic strip more than a comic book--which since he is a newpaper comic strip artist shouldn't be surprising.
In fact, Terry Beatty's current Rex Morgan storyline is about kinda-sorta Wild Dog.
|Rex Morgan, M.D., 05/15/22.|
Sure, a broom isn't as deadly as a Jatimatic GG-95 PDW,
but try cleaning up a mess with a Jat.
There are genres that would be more forgiving of Beatty's style. But an action-packed vigilante story isn't one of them.
6. Wild Dog lived basically in same town The Music Man is set it.
I have always have a vague memory that Wild Dog lived in an area called "Quad Cities". But as an inveterate and resolute East Coast snob, I never had any idea that the "Quad Cities" was REAL. It never even occurred to me. I mean, "The Quad Cities" is obviously a made-up name for a comic book fictionopolis. But... it isn't. It's a real place.
The ignorance is all on me. Collins strongly based the series on local fixtures like the RiverCenter where Wild Dog makes his debut.
The plot culminates at Rock Island Arsenal, another OBVIOUSLY MADE-UP PLACE that actually exists.
|"If the plot requires it to be vulnerable... yes."|
In fact, I don't think ANY DC comic has ever been more strongly rooted in a real-world city as Wild Dog was in these "Quad Cities". It's where Max Allan Collins grew up and he was obviously determined to put it on the DCU map
"River City", the setting for The Music Man, is fictional, but many references internal to the show make it clear that it's meant to be in this exact area. So Wild Dog shows you what happens when you are not aware of the caliber of disaster indicated by the presence of pool table in your community. Weirdly, "River City" (which we're just going to assume is part of the Quad Cities in the DCU) is home to one OTHER hero in the DCU.
When DC asks me to write the next Wild Dog miniseries (with MAC's blessing, of course!), I guarantee Odd-Man will be part of it, either as WD's wacky sidekick or as his clean-cut (but crazy) rival. Possibly both.
7. The kids, they love Wild Dog.
|And who can blame them?|
|YOU're the one who wanted to honeymoon in Apex City, Wild Dog.|
|The red dog laugh as it bites.|
|The Laughing Dog icon? Instant winner.|
The story is that Wild Dog sprung into action when he saw a terrorist attack live on TV, and had to grab whatever he had handy as a disguise, including the mascot shirt from his college football team. The logo and look perfectly capture his essence. Violent but laughing, cartoony but vicious. The mismatch between the various part of his costume aren't a flaw, they're a feature, and it's what makes it work.