Thursday, September 07, 2023

Things That Made Me Happy in My Comics This Week: Blue Beetle

I read Blue Beetle #1 and it pleased me.

Paco and Brenda are back.  

I, for one, am happy Paco is still "disgusting".

You can do a lot of things with Blue Beetle.  But if you are going to use Jaime Reyes, you need Paco and Brenda.  They are to Jaime as Lois & Jimmy are Clark (although, of course, they are nothing like Lois & Jimmy): essential supporting characters.  They barely appear in the issue, but the brief appearance is so on the spot, it's as if they'd never been gone.


Ted Kord as Jaime's Mentor.  

Ted is not focused on his ship; he's focused on Jaime.

The series begins with Ted Kord serving as Jaime Reyes's mentor. I don't think that has any historical precedent (that I have personally read, anyway).  Jaime was created precisely because Ted Kord was off the table (with an acute case of Being Dead).  But Jaime and Ted are a very natural pairing; Jaime's (and the series) respect for Ted Kord are off the charts, not only as he appears and acts in the present, but how he serves his role in the Blue Beetle lineage.  

This is, shall we say, called into question by a unknown interloper who encounters Ted and, um... leaves him a bit worse for wear.  NOT dead (yet), as I have seen reported in the media, because dead people aren't still talking.  I hope Ted gets better soon, because in just ONE ISSUE, the creative team re-established him beautifully and I would hate to see that go to waste.  Jaime deserves Ted and, frankly, so do we.


Jaime as a leader.

If that doesn't warm your heart, why read comics?


Jaime, whether he wants to be or, now has to be a leader. Not just of his soon-to-be-discussed sidekicks, but to the community of Reach-related extraterrestrials who (for some reason) are now living somewhere in intermittent seclusion in Palmera City.  That's too much responsible for a college freshman to have to deal with (in addition to have superpowers)... and that is exactly the kind of problem Jaime deserves as part of his stories.


Respect for Legacy



That sort of thing (using Classic foes and acknowledge past iterations of the heroic identity) is easy to take for granted now in DC Comics. DON'T.  Recognize, appreciate, and reward it, because it didn't used to be a given at.  Some of us still remember Jared Stevens and even if you don't, it wasn't that long ago that DC was run by someone eager to obliterate as much of DC's history as necessary to install his 5G creations (and their ilk) in those characters's place.  Never take respect for history for granted.


Side-kicks.

I love it when people speak in LOGOES.


"Colleagues" or "lieutenants" might be technically more accurate descriptions of Dynastes & Nitida, but... it's comics. They're sidekicks.  I have little idea who they are (surely introduced in Jaime's graduation one-shot), but I get everything I need about them from this appearance.  They have powers that are similar, but lesser and not identical to Jaime's, they are less expert and prudent in using them, so Jaime is their leader.  They work well as complements to Jaime, in how the look, what they do, and what their personalities are like.  It's almost as if the creative team knew the wisdom of positioning your main hero as the centerpiece of a dynasty of characters!

Imperfection.


Mistakes are made by the characters in this issue.  Jaime has insufficient control over his lieutenants; they have insufficient control over their powers; Ted Kord gets in WAY over his head against a foe, despite all his gadgetry.  Too many creators are terrified to let their characters be anything less than Perfect Combatants and Strategists.  But superheroes are characters with a LOT of power; if they are too perfect there is no suspense.  The only character who gets to be perfect is, well, Batman, a benefit HE gets because he's otherwise powerless.

The art.

That art is nearly Golden Age in its solidity and simplicity.


I was worried after glancing at the Blue Beetle graduation one-shot that Blue Beetle as a property had fallen irretrievably into the uncanny valley of anime-style, with the big jagged mouths and single pop-eyes, like someone just couldn't shake the effects of loving Invader Zim.  And while there is SOME of that herein, it's a spice not a main dish (as the above snips make clear).  I'm especially pleased by how Ted Kord, with his simpler more abstract costume design, is allowed to seem exactly like what he is: a simpler character from a different time (but still appropriate to this one).

4 comments:

CobraMisfit said...

Ted Kord has gone full "Dad Mode" and I am here for it!

Bryan L said...

It's a great setup. I also like the fact that Ted is a genius inventor and head of a corporation again. Having heroes lose their wealth is way overused. Plus it gives Jaime access to better resources and tech support, which is also very welcome. Finally, while Ted can be lighthearted, he's not a buffoon. He's been shoved over that line way too many times.

Anonymous said...

"Too many creators are terrified to let their characters be anything less than Perfect Combatants and Strategists."

The Mighty Marvel strategy for creating complex characters is, deliberately introduce character flaws that they have to overcome. I get that line of thinking, but ... the interesting people I know are interesting because of their strengths much more than their flaws. So I consider it a mark of a better writer that they don't feel the need to slap together a slate of neuroses for the character to battle internally, and simply put them up against limitations inherent to the human condition.

- HJF1

Scipio said...

"against limitations inherent to the human condition."
And in the superhuman condition. Superman's "secret identity problem" stories aren't trite and low-stakes; the fact that this is his biggest recurring problem is the MOST realistic thing about Superman.
Try this mental exercise. Imagine that starting tomorrow morning you have Superman's powers and you want to use them to do good and fight crime.

...Now. Exactly how do you do that? That is an inherent problem and older comics used to understand that, rather than just lazily plop a destructive force in the middle of Metropolis that can be the target of a super-punch.