Having recently gained access to all the episodes of CW's Flash series, I decided to watch them to see just Where It Went Wrong.
The series was amazing is so many ways, I think we would all agree. But it also shot itself in the foot many times. Many have opined on Where It Went Wrong, but I wanted to nail down my own opinion.
It didn't take long.
It was Episode Six, which I had almost completely forgotten.
In Episode Six, titled "The Flash Is Born", the villain of the week was Tony "Girder" Woodward, who had been a childhood bully of Barry's. Empowered during the particle accelerator event to turn himself into solid metal, Girder beats the crap out of the Flash a time or two and starts hitting on Iris (um, metaphorically). Barry fusses about being unable to defeat his now superpowered bully and the S.T.A.R. team determines that do so Barry must Run Faster Than Ever and hit Girder with a very precise punch.
Barry, eventually, does just that and Girder is imprisoned in the "Pipeline" at S.T.A.R Labs, newly renovated to contain supervillains, whereupon Barry unmasks and reveals to his bully that it was his childhood victim who defeated him.
The elements that are the downfall of the show are present only six episodes in. Sure there were other problems with the show (the proliferation of heroes, many more powerful that Flash; the intrinsic childishness and ickiness of his infatuation with Iris; the overuse of Evil Speedsters; the writers writing to keep the existing cast on the show, rather than let the direction of the storylines determine the casting). But those aren't what doomed the show; These are.
Overpersonalization of Everything. In this episode, that means a villain with a personal connection to the hero, which is a Marvel trope. We are interested in seeing the Flash do cool stuff and have to creatively defeat villains, not in seeing Barry wrestle with personal demons. But it WAS a CW show and, although the Flash showrunner should be commended for never being embarrassed about it being a comic book show, they MIGHT have been better off being a bit MORE embarrassed about it being a CW show.
Barry overcomes self-doubt, again and again and again. Everyone who watched the show noticed and got tired of this pattern and this is the episode where it actually BECAME a pattern (after his crisis of confidence nearly stopped him from defeating freakin' MULTIPLEX). Over on Arrow, Oliver Queen leads his team (even if it's often rough going); on the Flash, Barry Allen is always the one being lead by others.
Barry and his Team use his powers exotically (and stupidly) rather than simply. It is maddening to watch the writers have them insist that Barry MUST PERSONALLY PUNCH Girder (which MIGHT wind up atomizing Barry). Geez, Barry; learn to THROW A ROCK. Or just hit him with a BASEBALL BAT. Such things are harder than your fist and you won't atomize yourself if they don't do the job.
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| Is Jay really THAT much smarter than Barry? |
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| Jay Garrick knew he wasn't confined to close combat attacks. And he BRANDED accordingly. |
Barry, supposedly a scientist, is wildly emotional and has zero control over his emotions and make no attempt to keep them from determining his actions. And, oddly, for someone so riddled with self-doubt, Barry NEVER questions whether his feelings are an appropriate guideline for action.
I assume the writers intended for our hearts to swell with sympathetic joy and pride when Barry reveals his identity to Girder. But any comic book reader naturally just shook their head; you don't EXPOSE your secret identity to a VILLAIN simply out of PRIDE. Anyone who's ever read a Golden Age Batman story knows the inevitable fate of a bad guy who learns a secret identity: the bad guy gets killed, almost immediately. Sure enough, exactly that happens to Girder in the next episode. This is where the writers started painting themselves in corners that made the plots predictable.



All true, though for me, what did it was how the show turned into a cycle of "new villain is faster than me / I must get faster / now I am the fastest man alive again!" Like, if that is your show structure, you could make it about darn near anything. Physical strength. Hotdog eating. Really any skill where there is such a thing as "greater than".
ReplyDeleteAbout this ...
"not in seeing Barry wrestle with personal demons"
... there is something to be said for personal demons, SOMETIMES. But there is also such a thing as overdoing it, and this show knew how to overdo it.
- HJF1
I have the same complaint about "Evil Speedsters." I watched the show from the beginning to the very end, and I couldn't believe that the writers could NEVER come up with credible threats that weren't Evil Speedsters. Why not a Kryptonian or two? They're fast. Why not someone who generates an inertia field (the Turtle, maybe)? Evil scientists are always a solid go-to. Use the freaking Rogue's Gallery -- there's decades of stories for inspiration. They kind of hit on ice villains and then turned Captain Cold and Killer Frost into heroes. I know, a big part of the problem was budgeting for CGI, making ice powers an issue. So use any of the options I listed above. The real problem with the Flash was a failure of imagination. "He's fast so he's got to fight somebody FASTER."
ReplyDeleteBry-El of Krypton - the most cheapest way to save money on the CGI is to have stories where the challenge isn't strictly physical. Mysteries to solve, crimes that require detectiveness, witnesses that need to be persuaded to testify ... you can get some mileage out of all that, AND THEN have the Flash show up for some parts that require some Speed Force shenanigans.
ReplyDeleteYes, I just described the methodology by which the George Reeves "Superman" show operated.
- HJF1
You know, I thought about the George Reeves show when I was posting but didn't mention it. They leveraged "being a reporter," but The Flash never really leveraged "Barry is a CSI." Mostly they just used it as evidence that "Barry is smart." And honestly, there's like a billion CSI episodes that writers could have used for inspiration. Just make the killer a meta.
ReplyDeleteA smart showrunner might also ask, what are some ways to neutralize the advantages of super speed? And then construct some threats with those ideas in mind. For example:
ReplyDelete- cut down visibility (smoke, blackout bombs, invisibility, etc)
- interfere with speedster's senses (for example Mysterio)
- interfere with speedster's coordination (for example Count Vertigo)
- interfere with speedster's ability to move normally (such as messing with friction)
- flight
- intangibility
- messing with the properties of space / portals (for example Spot)
- toxins or pathogens that they contract without even knowing it
- luck
- being able to see into the future just enough to counter super-speed feats
There, now we've got at least a few ways to challenge a speedster. This took me like five minutes to come up with.
- HJF1
There are some super-hero vs. super-villain fight tropes that I roll my eyes at, one of them being, “I have to be more X than I am now, so I’ll be more X!” Super-heroes should have limits, and the have to work within those limits to solve problems and stop the bad guys. I don’t mean “The Flash can run at exactly XXXX mph” or “Superman can lift XXX tons.” I mean, how does the Flash stop Captain Cold while saving the lives of people on a runaway train? How does Superman beat a telepath who can make him hallucinate?
ReplyDeleteMy least favorite super-hero fight trope is when a cosmic or alien threat gets defeated by the super-heroes linking minds and someone shoots a concentrated beam of Love or Will or something. Such a cop-out!
- Mike Loughlin
" “I have to be more X than I am now, so I’ll be more X!” It used to be that, rather than having to out-X themselves (because it was taken for granted that they were X-ing as much as they could), they had to outsmart the villain by thinking outside the box.
ReplyDeleteIt can be overdone but the hero/villain personal connection tis not JUST a Marvel thing. For every Green Goblin there's a Luthor, for every Magneto a Sinestro for every Daredevil's landlord an Ocean Master and you forgot about Daredevil's landlord, because none of the whorthwile DD, Captain America or Iron Man have a personal connection,
ReplyDeleteFeels a little out of place in the Flash, specifically,, because he doesn't have many personal connection villain.
(The reverse Flash' (es) function as the guy who doofies up stories with an 80,000 percent increase in suckassitude while you fall on the bathroom floor sobbing and begging editorial to FINAlLY bring the gorilla back overrides any other narrative function.)